Sempre caro mi fu quest’ermo colle,
E questa siepe, che da tanta parte
Dell’ultimo orizzonte il guardo esclude.
Ma sedendo e mirando, interminati
Spazi di là da quella, e sovrumani
Silenzi, e profondissima quiete
Io nel pensier mi fingo; ove per poco
Il cor non si spaura. E come il vento
Odo stormir tra queste piante, io quello
Infinito silenzio a questa voce
Vo comparando: e mi sovvien l’eterno,
E le morte stagioni, e la presente
E viva, e il suon di lei. Così tra questa
Immensità s’annega il pensier mio:
E il naufragar m’è dolce in questo mare.

Gaetano Braga (9 giugno 1829 - 1907): L’infinito per voce, violoncello e pianoforte. Amor Lilia Perez, mezzosoprano; Galileo Di Ilio, violoncello; Giuseppe Sabatini, pianoforte.

Mario Castelnuovo-Tedesco (1895 - 1968): L’infinito per voce e pianoforte op. 22 (1921). Leonardo De Lisi, tenore; Anna Toccafondi, pianoforte.

Musica divina

Thomas Tomkins (1572 - 9 giugno 1656): Music divine, madrigale a 6 voci (da Songs of 3, 4, 5, and 6 parts, 1622). I Fagiolini, dir. Robert Hollingworth.

Music divine, proceeding from above,
whose sacred subject oftentimes is Love,
in this appears her heav’nly harmony,
where tuneful concords, sweetly do agree.
And yet in this her slander is unjust,
to call that Love which is indeed but lust.

«By the time I Fagiolini gave its first concert in 1986, the revival in interest and period playing styles of early music was well under way. At New College, Oxford (the group’s home), early music was known as ‘beany’ music because most of the musicians that seemed to be interested in it (both amateur and professional) seemed to have an alternative lifestyle of knitted yoghurt and wholefood pullovers, living on a diet of nothing but pulses and beans. Stuck for a name at short notice, countertenor Richard Wyn Roberts proposed ‘the beans’; Robert Hollingworth suggested translating this into Italian as the first concert involved Monteverdi and it sounded nicer like that. This worked well until I Fagiolini first went to Italy and discovered the various slang connotations it has there. We don’t go to Italy much.»